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it is the closest key being on the right side of C. In other way , C♯ is a semitone (smallest distance between two notes) up C.\n\n\nSo we could say : If you take a natural tone - let's say C - and you add the symbol ♯ ","\u003Cp>Hi,\u003C/p>\n\u003Cp>You may already have understood the way the symbols ♭ and ♯ behave !\u003C/p>\n\u003Cp>We already saw these in the post about \u003Ca href=\"https://blog.flat.io/music-theory-note-names-basics/\">note names\u003C/a> , \u003Ca href=\"https://blog.flat.io/music-theory-distance-between-notes/\">distance between notes\u003C/a> , and \u003Ca href=\"https://blog.flat.io/music-theory-major-and-minor-scales-contruction/\">major scales construction\u003C/a>.\u003C/p>\n\u003Cp>Here is a detailed explanation.\u003C/p>\n\u003Ch6 id=\"sharps\">Sharps\u003C/h6>\n\u003Cp>\u003Cimg src=\"https://blog.flat.io/content/images/2015/11/gamme-tout.png\" alt=\"\" loading=\"lazy\">\u003Cbr>\nIf you look at \u003Cstrong>C♯\u003C/strong> on a piano keyboard, you see that it is the closest key being on the right side of C. In other way , \u003Cstrong>C♯\u003C/strong> is a semitone (smallest distance between two notes) up  \u003Cstrong>C\u003C/strong>.\u003C/p>\n\u003Cp>So we could say : If you take a natural tone - let's say \u003Cstrong>C\u003C/strong> - and you add the symbol ♯ (sharp) right after it you are rising the original note by a semitone.\u003Cbr>\n( natural tone = letter of the musical alphabet = white key )\u003C/p>\n\u003Cp>Since you already know black keys names , everything seem logical :\u003C/p>\n\u003Cul>\n\u003Cli>\u003Cstrong>C♯\u003C/strong> is a semitone above \u003Cstrong>C\u003C/strong>\u003C/li>\n\u003Cli>\u003Cstrong>D♯\u003C/strong> is a semitone above \u003Cstrong>D\u003C/strong>\u003C/li>\n\u003Cli>\u003Cstrong>F♯\u003C/strong> is a semitone above \u003Cstrong>F\u003C/strong>\u003C/li>\n\u003Cli>\u003Cstrong>G♯\u003C/strong> is a semitone above \u003Cstrong>G\u003C/strong>\u003C/li>\n\u003Cli>\u003Cstrong>A♯\u003C/strong> is a semitone above \u003Cstrong>A\u003C/strong>\u003C/li>\n\u003C/ul>\n\u003Cp>But there is more ! Following the same rule , we also have :\u003C/p>\n\u003Cul>\n\u003Cli>\u003Cstrong>E♯\u003C/strong> is a semitone above \u003Cstrong>E\u003C/strong>\u003C/li>\n\u003Cli>\u003Cstrong>B♯\u003C/strong> is a semitone above \u003Cstrong>B\u003C/strong>\u003C/li>\n\u003C/ul>\n\u003Cp>But we knew that \u003Cstrong>F\u003C/strong> was a semitone above \u003Cstrong>E\u003C/strong> , and \u003Cstrong>C\u003C/strong> was a semitone above \u003Cstrong>B\u003C/strong>.\u003C/p>\n\u003Cp>We just discovered another way (not usual) to name \u003Cstrong>F\u003C/strong>. Sometimes , we prefer to say \u003Cstrong>E♯\u003C/strong> instead of \u003Cstrong>F\u003C/strong>.\u003C/p>\n\u003Cp>We just discovered another way (not usual) to name \u003Cstrong>C\u003C/strong>. Sometimes , we prefer to say \u003Cstrong>B♯\u003C/strong> instead of \u003Cstrong>C\u003C/strong>.\u003C/p>\n\u003Ch6 id=\"flats\">Flats\u003C/h6>\n\u003Cp>\u003Cimg src=\"https://blog.flat.io/content/images/2015/11/gamme-tout.png\" alt=\"\" loading=\"lazy\">\u003Cbr>\nIf you look at \u003Cstrong>E♭\u003C/strong> on a piano keyboard , you see that it is the closest key being on the left side of \u003Cstrong>E\u003C/strong>. In other way , \u003Cstrong>E♭\u003C/strong> is a semitone (smallest distance between two notes) down  \u003Cstrong>E\u003C/strong>.\u003C/p>\n\u003Cp>So we could say : If you take a natural tone - let's say \u003Cstrong>E\u003C/strong> - and you add the symbol ♭ (flat) right after it you are lowering the original note by a semitone.\u003C/p>\n\u003Cp>Again, since you already know black keys names, everything seem logical :\u003C/p>\n\u003Cul>\n\u003Cli>\u003Cstrong>D♭\u003C/strong> is a semitone below \u003Cstrong>D\u003C/strong>\u003C/li>\n\u003Cli>\u003Cstrong>E♭\u003C/strong> is a semitone below \u003Cstrong>E\u003C/strong>\u003C/li>\n\u003Cli>\u003Cstrong>G♭\u003C/strong> is a semitone below \u003Cstrong>G\u003C/strong>\u003C/li>\n\u003Cli>\u003Cstrong>A♭\u003C/strong> is a semitone below \u003Cstrong>A\u003C/strong>\u003C/li>\n\u003Cli>\u003Cstrong>B♭\u003C/strong> is a semitone below \u003Cstrong>B\u003C/strong>\u003C/li>\n\u003C/ul>\n\u003Cp>But there is more ! Following the same rule , we also have :\u003C/p>\n\u003Cul>\n\u003Cli>\u003Cstrong>F♭\u003C/strong> is a semitone below \u003Cstrong>F\u003C/strong>\u003C/li>\n\u003Cli>\u003Cstrong>C♭\u003C/strong> is a semitone below \u003Cstrong>C\u003C/strong>\u003C/li>\n\u003C/ul>\n\u003Cp>But we knew that \u003Cstrong>E\u003C/strong> was a semitone below \u003Cstrong>F\u003C/strong> , and \u003Cstrong>B\u003C/strong> was a semitone below \u003Cstrong>C\u003C/strong>.\u003C/p>\n\u003Cp>We just discovered another way (not usual) to name E. Sometimes, we prefer to say F♭ instead of E.\u003C/p>\n\u003Cp>We just discovered another way (not usual) to name \u003Cstrong>B\u003C/strong>. Sometimes, we prefer to say \u003Cstrong>C♭\u003C/strong> instead of \u003Cstrong>B\u003C/strong>.\u003C/p>\n\u003Ch6 id=\"enharmonic\">Enharmonic\u003C/h6>\n\u003Cp>Enharmonic notes are notes that have the same pitch but have different note spellings , like \u003Cstrong>E\u003C/strong> and \u003Cstrong>F♭\u003C/strong> , \u003Cstrong>E♯\u003C/strong> and \u003Cstrong>F\u003C/strong> , \u003Cstrong>B♯\u003C/strong> and \u003Cstrong>C\u003C/strong> , \u003Cstrong>C♭\u003C/strong> and \u003Cstrong>B\u003C/strong>.\u003Cbr>\nWe already mention that at the end of \u003Ca href=\"https://blog.flat.io/music-theory-note-names-basics/\">this post\u003C/a>.\u003Cbr>\n\u003Cimg src=\"https://blog.flat.io/content/images/2015/11/enharmonic.png\" alt=\"\" loading=\"lazy\">\u003C/p>\n\u003Ch6 id=\"notation\">Notation\u003C/h6>\n\u003Cp>When we want to rise up a note -let's say \u003Cstrong>D\u003C/strong>- by a semitone, using the musical alphabet , we put the \"♯\" after the \"\u003Cstrong>D\u003C/strong>\" : \u003Cstrong>D♯\u003C/strong>\u003Cbr>\nBut when we want to rise up a note using musical notation (using a staff) we put the symbol ♯ before the note.\u003C/p>\n\u003Ch6 id=\"accidentals-over-time\">Accidentals over time\u003C/h6>\n\u003Cp>If, somewhere in a \u003Cstrong>measure\u003C/strong> (I recommend that you read \u003Ca href=\"https://blog.flat.io/music-theory-ryhthm-measure/\">this post\u003C/a>) , you put and accidental (let's say a sharp) on a note - let's say \u003Cstrong>F\u003C/strong>- , all other \u003Cstrong>F\u003C/strong> (situated on the same line or line space) after that one (that one included ) , and located in the same measure , are to be played a semitone above. If, later in the same measure, you want to come back to natural \u003Cstrong>F\u003C/strong>, you have to place a natural symbol (♮) before it. Then , all \u003Cstrong>F\u003C/strong> after that one (including that one) , situated in the same measure , will be played natural.\u003C/p>\n\u003Cp>In the next measure , everything comes back to normal (whatever you did, writing a sharp , a flat , or a natural)\u003C/p>\n\u003Cp>To clear up your mind , just listen to this example !\u003C/p>\n\u003Ciframe src=\"https://flat.io/score/56444b2a3ab833336290dc66?embed=true\" height=\"450\" width=\"700\" frameborder=\"0\">\u003C/iframe>\n\u003Cp>In the next article, we will discuss \u003Ca href=\"http://https//blog.flat.io/music-theory-accidentals-2-2-double-accidentals/?ref=blog.flat.io\">double accidentals\u003C/a>.\u003C/p>\n\u003Cp>Seb\u003C/p>\n","https://blog.flat.io/usual-accidentals/",{"id":468,"slug":468,"featureImage":469,"publicationDate":470,"title":471,"excerpt":472,"html":473,"url":474},"64ba372722d04260b3686aaf","https://blog.flat.io/content/images/2017/05/Learn-Chapter-7.png","2015-11-26T10:33:00.000+01:00","Music theory : accidentals 2/2 : double accidentals","Hi,\n\n\nIn the previous article, we first learnt what were ♭ and ♯ ... See this post for details !\n\n\nToday, we'll discover 2 more accidentals :\n\n\n * double sharp : 𝄪\n * double flat : 𝄫\n\n\nTheir use is mainly related to minor keys[1] or diminished chords[1:1]. We'll talk about that in their respective posts.\n\n\nThe double sharp (𝄪) raises a note one whole step, and looks like a cross\n\nHere is an example using double sharps.\n\n\n\nThe first measures show a double sharp in a melodic context, whereas th","\u003Cp>\u003C/p>\u003Cp>Hi,\u003C/p>\n\u003Cp>In the previous article, we first learnt what were ♭ and ♯ ... See \u003Ca href=\"https://blog.flat.io/usual-accidentals/\">this post\u003C/a> for details !\u003C/p>\n\u003Cp>Today, we'll discover 2 more accidentals :\u003C/p>\n\u003Cul>\n\u003Cli>double sharp : 𝄪\u003C/li>\n\u003Cli>double flat : 𝄫\u003C/li>\n\u003C/ul>\n\u003Cp>Their use is mainly related to minor keys\u003Csup class=\"footnote-ref\">\u003Ca href=\"#fn1\" id=\"fnref1\">[1]\u003C/a>\u003C/sup> or diminished chords\u003Csup class=\"footnote-ref\">\u003Ca href=\"#fn1\" id=\"fnref1:1\">[1:1]\u003C/a>\u003C/sup>. We'll talk about that in their respective posts.\u003C/p>\n\u003Cp>\u003Cstrong>The double sharp (𝄪) raises a note one whole step, and looks like a cross\u003C/strong>\u003Cbr>\nHere is an example using double sharps.\u003C/p>\n\u003Ciframe src=\"https://flat.io/score/581b4f97fae3ed6b47f116eb?embed=true\" height=\"450\" width=\"700\" frameborder=\"0\">\u003C/iframe>\nThe first measures show a double sharp in a melodic context, whereas the last measures show how double sharps behave. (a double sharp cancel all previous accidentals, and is cancelled by any accidentals)  \nNote that a **𝄪F** sounds like a **G**. We'll see in the minor scales post why sometimes it is more convenient to write **𝄪F** instead of **G**.\n\u003Cp>\u003Cstrong>The double flat (𝄫) lowers a note by a whole step, and looks like two flats glued together.\u003C/strong>\u003Cbr>\nHere is an example using double flats.\u003C/p>\n\u003Ciframe src=\"https://flat.io/score/581b519ab94034420d46774b?embed=true\" height=\"450\" width=\"700\" frameborder=\"0\">\u003C/iframe>\nNote that, like double sharp, or any accidentals, a double flat cancel all previous accidentals, and is cancelled by any accidentals.\nBesides, **𝄫B** sounds like a **A**. We'll see in the diminished seventh chord post why sometimes it is more convenient to write **𝄫B** instead of **A**.\n\u003Cp>That's all for today :)\u003C/p>\n\u003Cp>Have a good day\u003Cbr>\nSebastien\u003C/p>\n\u003Chr class=\"footnotes-sep\">\n\u003Csection class=\"footnotes\">\n\u003Col class=\"footnotes-list\">\n\u003Cli id=\"fn1\" class=\"footnote-item\">\u003Cp>As in this score, \u003Ciframe src=\"https://flat.io/score/581b423dfae3ed6b47f1166d?embed=true\" height=\"450\" width=\"700\" frameborder=\"0\">\u003C/iframe> \u003Ca href=\"#fnref1\" class=\"footnote-backref\">↩︎\u003C/a> \u003Ca href=\"#fnref1:1\" class=\"footnote-backref\">↩︎\u003C/a>\u003C/p>\n\u003C/li>\n\u003C/ol>\n\u003C/section>\n","https://blog.flat.io/music-theory-accidentals-2-2-double-accidentals/",[],"/assets/img/editor-edu/accidentals-cycle.gif","/assets/img/editor-edu/accidentals-prepare.gif",{"tree":479},[480,516],{"_path":481,"_dir":482,"_draft":7,"_partial":7,"_locale":8,"title":483,"description":483,"nav":484,"pid":485,"permalink":486,"navigation":487,"automaticallyTranslated":22,"englishFileHash":488,"body":489,"_type":107,"_id":513,"_source":109,"_file":514,"_stem":515,"_extension":112},"/ko/editor/overview","editor","편집기","editor/","editor-overview","/ko/education/music-notation-software/",{"title":118},"5604062fb9d21deec47518321e84ae1b7da39d7d",{"type":25,"children":490,"toc":511},[491,495,498],{"type":28,"tag":492,"props":493,"children":494},"music-notation-software",{},[],{"type":28,"tag":82,"props":496,"children":497},{},[],{"type":28,"tag":29,"props":499,"children":500},{},[501],{"type":28,"tag":89,"props":502,"children":503},{},[504,505,510],{"type":37,"value":93},{"type":28,"tag":95,"props":506,"children":508},{"href":507},"/en/music-notation-software/",[509],{"type":37,"value":100},{"type":37,"value":102},{"title":104,"searchDepth":105,"depth":105,"links":512},[],"content:ko:editor:1.overview.md","ko/editor/1.overview.md","ko/editor/1.overview",{"_path":119,"_dir":517,"_draft":7,"_partial":7,"_locale":8,"title":518,"description":519,"nav":13,"pid":520,"permalink":120,"action":521,"navigation":522,"automaticallyTranslated":22,"englishFileHash":523,"body":524,"_type":107,"_id":2705,"_source":109,"_file":2706,"_stem":2707,"_extension":112},"music-notation","악보 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