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Rakamları","\u002Ftr\u002Feditor\u002Fmusic-notation\u002Ftext\u002Fromannumerals","tr\u002Feditor\u002F2.music-notation\u002F9.text\u002FromanNumerals","\u002Ftr\u002Fmusic-notation-software\u002Froman-numerals\u002F","romanNumerals",[596,604],{"id":597,"slug":597,"featureImage":598,"publicationDate":599,"title":600,"excerpt":601,"html":602,"url":603},"64ba372722d04260b3686a65","https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002F2015\u002F11\u002FLearn-Chapter-7.png","2015-11-25T15:02:32.000+01:00","Music theory : accidentals 1\u002F2 : usual accidentals","Hi,\n\n\nYou may already have understood the way the symbols ♭ and ♯ behave !\n\n\nWe already saw these in the post about note names , distance between notes , and major scales construction.\n\n\nHere is a detailed explanation.\n\n\nSharps\n\n\n\n\nIf you look at C♯ on a piano keyboard, you see that it is the closest key being on the right side of C. In other way , C♯ is a semitone (smallest distance between two notes) up C.\n\n\nSo we could say : If you take a natural tone - let's say C - and you add the symbol ♯ ","\u003Cp>Hi,\u003C\u002Fp>\n\u003Cp>You may already have understood the way the symbols ♭ and ♯ behave !\u003C\u002Fp>\n\u003Cp>We already saw these in the post about \u003Ca href=\"https:\u002F\u002Fblog.flat.io\u002Fmusic-theory-note-names-basics\u002F\">note names\u003C\u002Fa> , \u003Ca href=\"https:\u002F\u002Fblog.flat.io\u002Fmusic-theory-distance-between-notes\u002F\">distance between notes\u003C\u002Fa> , and \u003Ca href=\"https:\u002F\u002Fblog.flat.io\u002Fmusic-theory-major-and-minor-scales-contruction\u002F\">major scales construction\u003C\u002Fa>.\u003C\u002Fp>\n\u003Cp>Here is a detailed explanation.\u003C\u002Fp>\n\u003Ch6 id=\"sharps\">Sharps\u003C\u002Fh6>\n\u003Cp>\u003Cimg src=\"https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002F2015\u002F11\u002Fgamme-tout.png\" alt=\"\" loading=\"lazy\">\u003Cbr>\nIf you look at \u003Cstrong>C♯\u003C\u002Fstrong> on a piano keyboard, you see that it is the closest key being on the right side of C. In other way , \u003Cstrong>C♯\u003C\u002Fstrong> is a semitone (smallest distance between two notes) up  \u003Cstrong>C\u003C\u002Fstrong>.\u003C\u002Fp>\n\u003Cp>So we could say : If you take a natural tone - let's say \u003Cstrong>C\u003C\u002Fstrong> - and you add the symbol ♯ (sharp) right after it you are rising the original note by a semitone.\u003Cbr>\n( natural tone = letter of the musical alphabet = white key )\u003C\u002Fp>\n\u003Cp>Since you already know black keys names , everything seem logical :\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>C♯\u003C\u002Fstrong> is a semitone above \u003Cstrong>C\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>D♯\u003C\u002Fstrong> is a semitone above \u003Cstrong>D\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>F♯\u003C\u002Fstrong> is a semitone above \u003Cstrong>F\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>G♯\u003C\u002Fstrong> is a semitone above \u003Cstrong>G\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>A♯\u003C\u002Fstrong> is a semitone above \u003Cstrong>A\u003C\u002Fstrong>\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>But there is more ! Following the same rule , we also have :\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>E♯\u003C\u002Fstrong> is a semitone above \u003Cstrong>E\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>B♯\u003C\u002Fstrong> is a semitone above \u003Cstrong>B\u003C\u002Fstrong>\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>But we knew that \u003Cstrong>F\u003C\u002Fstrong> was a semitone above \u003Cstrong>E\u003C\u002Fstrong> , and \u003Cstrong>C\u003C\u002Fstrong> was a semitone above \u003Cstrong>B\u003C\u002Fstrong>.\u003C\u002Fp>\n\u003Cp>We just discovered another way (not usual) to name \u003Cstrong>F\u003C\u002Fstrong>. Sometimes , we prefer to say \u003Cstrong>E♯\u003C\u002Fstrong> instead of \u003Cstrong>F\u003C\u002Fstrong>.\u003C\u002Fp>\n\u003Cp>We just discovered another way (not usual) to name \u003Cstrong>C\u003C\u002Fstrong>. Sometimes , we prefer to say \u003Cstrong>B♯\u003C\u002Fstrong> instead of \u003Cstrong>C\u003C\u002Fstrong>.\u003C\u002Fp>\n\u003Ch6 id=\"flats\">Flats\u003C\u002Fh6>\n\u003Cp>\u003Cimg src=\"https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002F2015\u002F11\u002Fgamme-tout.png\" alt=\"\" loading=\"lazy\">\u003Cbr>\nIf you look at \u003Cstrong>E♭\u003C\u002Fstrong> on a piano keyboard , you see that it is the closest key being on the left side of \u003Cstrong>E\u003C\u002Fstrong>. In other way , \u003Cstrong>E♭\u003C\u002Fstrong> is a semitone (smallest distance between two notes) down  \u003Cstrong>E\u003C\u002Fstrong>.\u003C\u002Fp>\n\u003Cp>So we could say : If you take a natural tone - let's say \u003Cstrong>E\u003C\u002Fstrong> - and you add the symbol ♭ (flat) right after it you are lowering the original note by a semitone.\u003C\u002Fp>\n\u003Cp>Again, since you already know black keys names, everything seem logical :\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>D♭\u003C\u002Fstrong> is a semitone below \u003Cstrong>D\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>E♭\u003C\u002Fstrong> is a semitone below \u003Cstrong>E\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>G♭\u003C\u002Fstrong> is a semitone below \u003Cstrong>G\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>A♭\u003C\u002Fstrong> is a semitone below \u003Cstrong>A\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>B♭\u003C\u002Fstrong> is a semitone below \u003Cstrong>B\u003C\u002Fstrong>\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>But there is more ! Following the same rule , we also have :\u003C\u002Fp>\n\u003Cul>\n\u003Cli>\u003Cstrong>F♭\u003C\u002Fstrong> is a semitone below \u003Cstrong>F\u003C\u002Fstrong>\u003C\u002Fli>\n\u003Cli>\u003Cstrong>C♭\u003C\u002Fstrong> is a semitone below \u003Cstrong>C\u003C\u002Fstrong>\u003C\u002Fli>\n\u003C\u002Ful>\n\u003Cp>But we knew that \u003Cstrong>E\u003C\u002Fstrong> was a semitone below \u003Cstrong>F\u003C\u002Fstrong> , and \u003Cstrong>B\u003C\u002Fstrong> was a semitone below \u003Cstrong>C\u003C\u002Fstrong>.\u003C\u002Fp>\n\u003Cp>We just discovered another way (not usual) to name E. Sometimes, we prefer to say F♭ instead of E.\u003C\u002Fp>\n\u003Cp>We just discovered another way (not usual) to name \u003Cstrong>B\u003C\u002Fstrong>. Sometimes, we prefer to say \u003Cstrong>C♭\u003C\u002Fstrong> instead of \u003Cstrong>B\u003C\u002Fstrong>.\u003C\u002Fp>\n\u003Ch6 id=\"enharmonic\">Enharmonic\u003C\u002Fh6>\n\u003Cp>Enharmonic notes are notes that have the same pitch but have different note spellings , like \u003Cstrong>E\u003C\u002Fstrong> and \u003Cstrong>F♭\u003C\u002Fstrong> , \u003Cstrong>E♯\u003C\u002Fstrong> and \u003Cstrong>F\u003C\u002Fstrong> , \u003Cstrong>B♯\u003C\u002Fstrong> and \u003Cstrong>C\u003C\u002Fstrong> , \u003Cstrong>C♭\u003C\u002Fstrong> and \u003Cstrong>B\u003C\u002Fstrong>.\u003Cbr>\nWe already mention that at the end of \u003Ca href=\"https:\u002F\u002Fblog.flat.io\u002Fmusic-theory-note-names-basics\u002F\">this post\u003C\u002Fa>.\u003Cbr>\n\u003Cimg src=\"https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002F2015\u002F11\u002Fenharmonic.png\" alt=\"\" loading=\"lazy\">\u003C\u002Fp>\n\u003Ch6 id=\"notation\">Notation\u003C\u002Fh6>\n\u003Cp>When we want to rise up a note -let's say \u003Cstrong>D\u003C\u002Fstrong>- by a semitone, using the musical alphabet , we put the \"♯\" after the \"\u003Cstrong>D\u003C\u002Fstrong>\" : \u003Cstrong>D♯\u003C\u002Fstrong>\u003Cbr>\nBut when we want to rise up a note using musical notation (using a staff) we put the symbol ♯ before the note.\u003C\u002Fp>\n\u003Ch6 id=\"accidentals-over-time\">Accidentals over time\u003C\u002Fh6>\n\u003Cp>If, somewhere in a \u003Cstrong>measure\u003C\u002Fstrong> (I recommend that you read \u003Ca href=\"https:\u002F\u002Fblog.flat.io\u002Fmusic-theory-ryhthm-measure\u002F\">this post\u003C\u002Fa>) , you put and accidental (let's say a sharp) on a note - let's say \u003Cstrong>F\u003C\u002Fstrong>- , all other \u003Cstrong>F\u003C\u002Fstrong> (situated on the same line or line space) after that one (that one included ) , and located in the same measure , are to be played a semitone above. If, later in the same measure, you want to come back to natural \u003Cstrong>F\u003C\u002Fstrong>, you have to place a natural symbol (♮) before it. Then , all \u003Cstrong>F\u003C\u002Fstrong> after that one (including that one) , situated in the same measure , will be played natural.\u003C\u002Fp>\n\u003Cp>In the next measure , everything comes back to normal (whatever you did, writing a sharp , a flat , or a natural)\u003C\u002Fp>\n\u003Cp>To clear up your mind , just listen to this example !\u003C\u002Fp>\n\u003Ciframe src=\"https:\u002F\u002Fflat.io\u002Fscore\u002F56444b2a3ab833336290dc66?embed=true\" height=\"450\" width=\"700\" frameborder=\"0\">\u003C\u002Fiframe>\n\u003Cp>In the next article, we will discuss \u003Ca href=\"http:\u002F\u002Fhttps\u002F\u002Fblog.flat.io\u002Fmusic-theory-accidentals-2-2-double-accidentals\u002F?ref=blog.flat.io\">double accidentals\u003C\u002Fa>.\u003C\u002Fp>\n\u003Cp>Seb\u003C\u002Fp>\n","https:\u002F\u002Fblog.flat.io\u002Fusual-accidentals\u002F",{"id":605,"slug":605,"featureImage":606,"publicationDate":607,"title":608,"excerpt":609,"html":610,"url":611},"64ba372722d04260b3686aaf","https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002F2017\u002F05\u002FLearn-Chapter-7.png","2015-11-26T10:33:00.000+01:00","Music theory : accidentals 2\u002F2 : double accidentals","Hi,\n\nIn the previous article, we learned about ♭ and ♯. Today, we'll discover 2 more accidentals: double sharp (𝄪) and double flat (𝄫).\n\nThe double sharp (𝄪) raises a note one whole step.\n\nThe double flat (𝄫) lowers a note by a whole step.\n\nThat's all for today! Have a good day, Sebastien","\u003Cp>\u003C\u002Fp>\u003Cp>Hi,\u003C\u002Fp>\u003Cfigure class=\"kg-card kg-image-card\">\u003Ca href=\"https:\u002F\u002Fgo.flat.io\u002F2diyxvn?ref=blog.flat.io\">\u003Cimg src=\"https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002F2026\u002F05\u002FBanner-B.png\" class=\"kg-image\" alt=\"\" loading=\"lazy\" width=\"2000\" height=\"742\" srcset=\"https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002Fsize\u002Fw600\u002F2026\u002F05\u002FBanner-B.png 600w, https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002Fsize\u002Fw1000\u002F2026\u002F05\u002FBanner-B.png 1000w, https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002Fsize\u002Fw1600\u002F2026\u002F05\u002FBanner-B.png 1600w, https:\u002F\u002Fblog.flat.io\u002Fcontent\u002Fimages\u002F2026\u002F05\u002FBanner-B.png 2000w\" sizes=\"(min-width: 720px) 720px\">\u003C\u002Fa>\u003C\u002Ffigure>\u003Cp>In the \u003Ca href=\"https:\u002F\u002Fblog.flat.io\u002Fusual-accidentals\u002F\">previous article\u003C\u002Fa>, we learned about ♭ and ♯. Today, we'll discover 2 more accidentals: double sharp (𝄪) and double flat (𝄫).\u003C\u002Fp>\u003Cp>\u003Cstrong>The double sharp (𝄪) raises a note one whole step.\u003C\u002Fstrong>\u003C\u002Fp>\u003Cfigure class=\"kg-card kg-embed-card\">\u003Ciframe src=\"https:\u002F\u002Fflat.io\u002Fscore\u002F581b4f97fae3ed6b47f116eb?embed=true\" height=\"450\" width=\"700\" frameborder=\"0\">\u003C\u002Fiframe>\u003C\u002Ffigure>\u003Cp>\u003Cstrong>The double flat (𝄫) lowers a note by a whole step.\u003C\u002Fstrong>\u003C\u002Fp>\u003Cfigure class=\"kg-card kg-embed-card\">\u003Ciframe src=\"https:\u002F\u002Fflat.io\u002Fscore\u002F581b519ab94034420d46774b?embed=true\" height=\"450\" width=\"700\" frameborder=\"0\">\u003C\u002Fiframe>\u003C\u002Ffigure>\u003Cp>That's all for today! Have a good day, Sebastien\u003C\u002Fp>","https:\u002F\u002Fblog.flat.io\u002Fmusic-theory-accidentals-2-2-double-accidentals\u002F",[],{"tree":614},[],1781602667506]